Author Archives: frac
The medieval heroic fantasy imagery of pop culture inhabits the worlds of today’s artists, and the offbeat perspective of the humans that exist there opens up a different approach to the future. The Berserk & Pyrrhia exhibition, at Le Plateau and Les Réserves from 21st March to 20th July, highlights the proliferation of medieval images and their subsequent appropriation, bringing together medieval art and contemporary art.
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The medieval heroic fantasy imagery of pop culture inhabits the worlds of today’s artists, and the de-centered view of the human that reigns there opens up a different approach to the future. The “Berserk & Pyrrhia” exhibition highlights the circulation of medieval images and their subsequent appropriation, and brings together medieval and contemporary art.
Read moreWei Libo work on a series of sculptures celebrating the memory of his origins. He first drew inspiration from the furniture of his childhood, making replicas using traditional skills.
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The WEFRAC 2024 (Frac weekend) highlights an operation run by each of the 22 Frac in their region. Discover the Plateau’s programme: two workshops linked to the exhibition Warm Blooded and Earthbound, led by the artist si jeune montagne.
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Using science fiction as a tool, the artist Laura Burucoa is inviting different groups of residents of Seine-Saint-Denis to work with her to formulate and construct narratives that tell the story of changes in the area around them.
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L’artiste Sébastien Rémy invente une forme singulière de présentation du dispositif Flash Collection. In Splash Collection the works become the protagonists of a story inspired by the worlds of manga and comic strips.
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The FoRTE#6 promotion is characterised by its interdisciplinarity and the way in which the artists tackle the contemporary issues affecting our society.
Read moreMediations at work in the InterReconnaissance project. How can we collectively (re)make a history of the defence of rights in Quebec?
With Ève Lamoureux, Professor, Department of Art History, Université du Québec à Montréal.
Thomas Buswell’s work, which he describes as ‘something to live with’, suggests tensions between the state of nature and modern comfort, attraction and repulsion.
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To celebrate the opening of the exhibition Coller l’oreille aux colimaçons, the collective phèmes is presenting a workshop, a tour of the exhibition and a performance.
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