Author Archives: frac
Sport in the Paris Suburbs, bringing together social history, cultural heritage and contemporary art, as well as individual and collective stories. Through original documents, objects and works of art, the exhibition explores the role of sport, its social and popular practices and its socio-political issues in the Paris suburbs, and more broadly in the suburbs of France.
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On a 20-minute loop, Colin, along with a group of instrumentalists and acrobats perform an ambulatory processional performance around Les Réserves.
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Na Liu’s multi-disciplinary work explores themes related to human subconscious psychological motivations and their interactions with objects.
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In this writing workshop, the duo of artists propose a speculative experiment based on our altered bodies, imagining possible futures.
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Laurie Charles’ creations are populated by the body’s organic system and flows, exploring the female experience of the body and its history.
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Produced by the Frac Île-de-France in collaboration with the CAC Brétigny, the installation Tempo Rubato by Nicolas Faubert and Mona Young-eun Kim is co-created with young people, teachers and educators from the IME Jean-Paul in Evry-Courcouronnes and the youth service in La Norville.
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To accompany the dialogue between monographic exhibitions, the Centre d’art contemporain de la Ferme du Buisson is inaugurating La chambre à échos (The echo chamber) to reflect the themes of Vieilles coques & jeunes récifs.
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Andréa Sparta’s discreet installations bring together objects that everyone can recognize, but whose nobility usually escapes our gaze. He likes to quote the artist Agnes Martin: “The wriggling of an earthworm is as important as the assassination of a president”.
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After an exhibition visit that focuses on the presence of the clothes used by the artist in her installation Comme un rond dans un carré, you’re invited to share, in return, what’s going on in the folds of one of your garments.
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Athletes, as well as scientists and artists, are all focused on the body. The artistic proposals of this exhibition, on display at Le Plateau and at Les Réserves, question its limits and potential, as well as its mutations, notably envisaged by science fiction.
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