Non classé
This year, the frac île-de-france continues and develops its roving project Flash Collection, imagined in November 2016 for high-school pupils of the region île-de-france.
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As part of the Night of Creation, the city of Versailles honours the work of contemporary artist Joseph Dadoune. He wanted to put his work in resonance with works of Geneviève Asse, Camille Henrot, Eugène Leroy, Aurélie Nemours, Jean-Michel Othoniel and Jean-Michel Sanejouand, all chosen in the collections of the frac île-de-france.
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The frac île-de-france presents the first monographic exhibition to be dedicated to Pierre Paulin. Comprising of mainly new works, Boom boom, run run continues to express the artist’s interest in language, appearing here in a multitude of forms, from poetry, essay and translation, to prêt-à-porter.
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Hôtel du Pavot 2 explores the many facets of duplication – and, by extension, repetition, reflection and replay – through a series of works drawing largely on the collection of the frac île-de-france and complemented by loans from other Fracs.
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Marvin Gaye Chetwynd opens the third season of the revue (2017/2018). The wacky and unleashed performances of the British artist star characters adorned with handmade costumes and accessories, and question notions of utopia, collective, and improvisation.
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This preliminary MuMo 2 exhibition was conceived by the directors of the Frac Île-de-France, Frac Normandy Caen and Frac Normandy Rouen according to the principle of the ‘exquisite corpse’.
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Artists’ posters and placards from the collections of the frac Normandie Rouen, the frac île-de-france and the Cnap
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7.30pm All the artists invited for the previous episodes of L’Homme aux cent yeux *(revue) gather in the empty spaces of the plateau – in between exhibitions – and…
Read moreThis publication documents a collective workshop held by the artist Valérie Mréjen in October – November 2016, invited by the frac île-de-france as part of its programme le collectif*.
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Maxime Thieffine produces paintings, volumes, videos, assemblages,etc. by extracting images from his memory, derived from the history of art or popular culture.
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