Taking as its starting point the continuum of sound that accompanies sporting events, the exhibition highlights the links between athletes and supporters, and the processes of deformation and transmutation of bodies that take place during a competition.
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Sport in the Paris Suburbs, bringing together social history, cultural heritage and contemporary art, as well as individual and collective stories. Through original documents, objects and works of art, the exhibition explores the role of sport, its social and popular practices and its socio-political issues in the Paris suburbs, and more broadly in the suburbs of France.
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Laurie Charles’ creations are populated by the body’s organic system and flows, exploring the female experience of the body and its history.
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To accompany the dialogue between monographic exhibitions, the Centre d’art contemporain de la Ferme du Buisson is inaugurating La chambre à échos (The echo chamber) to reflect the themes of Vieilles coques & jeunes récifs.
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Athletes, as well as scientists and artists, are all focused on the body. The artistic proposals of this exhibition, on display at Le Plateau and at Les Réserves, question its limits and potential, as well as its mutations, notably envisaged by science fiction.
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Athletes, as well as scientists and artists, are all focused on the body. The artistic proposals of this exhibition, on display at Le Plateau and at Les Réserves, question its limits and potential, as well as its mutations, notably envisaged by science fiction.
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Cette année, le frac île-de-france poursuit et développe le projet itinérant Flash Collection conçu en novembre 2016 pour les lycées de la région Île-de-France.
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For the 40th anniversary of the Frac, the aim is both to rethink the institution’s history, written in particular through its collection, and to look towards shared and desirable futures. The Gunaikeîon exhibition invites a number of curators to write their own narratives based on works from the collection and in encounter with other invited works.
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Emblematic of the artists of his generation, Ndayé Kouagou does not establish a hierarchy between his different language-based practices. From the materiality of the painting, to videos evoking the world of influencers, to the intimate and ephemeral nature of performances and workshops, his work plays with the codes of personal development.
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The Frac occupies the Micro-Folie of Pavillons-sous-Bois, with four works from the collection around the notions of artistic heritage.
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