Garance Früh’s sculpture and installation work maintains a fragile and tenuous link with questions of protecting, defending and caring for the body, using pre-existing materials that most often constrain, protect or clothe the female body.
Read moreExhibitionProject Room
Matthias Odin’s sculptures come to life through his everyday experiences. Each encounter retains a material or immaterial memory that feeds into his composite installations, which become witnesses to his great mobility.
Read moreThe artist’s practice is rooted in questions of identity, borders and cultural belonging, which evolve and take on new meaning in the different countries through which they pass. Her exhibition in the Project Room as part of Drawing Now and Printemps du Dessin focuses on her drawing practice, which takes shape in a variety of ways.
Read moreWei Libo work on a series of sculptures celebrating the memory of his origins. He first drew inspiration from the furniture of his childhood, making replicas using traditional skills.
Read moreThomas Buswell’s work, which he describes as ‘something to live with’, suggests tensions between the state of nature and modern comfort, attraction and repulsion.
Read moreJoséphine Berthou makes fiction films with a strong documentary and musical comedy element. Her films are incorporated into large-scale installations, and consider the roles that each person acquires in a globalized society where information circulates with ever-increasing immediacy.
Read moreUnidentified objects taken from the design of our everyday lives, combined with images of UFO or supernatural events, cast doubt on our adherence to any form of certitude.
Read moreNa Liu’s multi-disciplinary work explores themes related to human subconscious psychological motivations and their interactions with objects.
Read moreAndréa Sparta’s discreet installations bring together objects that everyone can recognize, but whose nobility usually escapes our gaze. He likes to quote the artist Agnes Martin: “The wriggling of an earthworm is as important as the assassination of a president”.
Read moreNina Azoulay works in installation, sculpture, drawing and fragmentary writing, which she describes as “stacked poetry”. Her fascination with textiles has led her to research the skin, raising questions about permeability, vulnerability, limits, vertigo, heritage and possible transformations.
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