Past
Musician Julien Perez, aka PEREZ, has initiated a project to produce a pop album involving 11 works selected from the frac Île-de-france collection. His performance on 23rd June at Le Plateau, combining video installation, live music and telepathy, is the first part of the project “Un album de collection.”
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The frac île-de-france is proud to present the first major solo exhibition in Paris by Johannes Kahrs, shown at le plateau. Although his work spans a wide range of techniques, including drawing, video and sound installations, he is probably best know for his paintings.
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Openning on Wednesday 2 March, from 7 to 9 pm. Xavier Antin is trained both in visual and applied arts, and is equally interested in the properties of images, their…
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Since 2011, FRAC Ile-de-France has been working in partnership with the Lycée l’Hautil in Jouy-le-Moutier on video works from its collection.
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Format À deux Muriel Leray et Julien Monnerie 02.03–03.04.16 Openning on Wednesday 2 March, from 7 to 9 pm. In her installations, Muriel Leray combines various elements, such as short…
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Impressions
12.03 – 12.04.2016
A selection of works in the frac île-de-france’s selection, as part of the program Jeux de langage (Word Plays).
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The result of an encounter of young adults from Vincennes with contemporary art, the exhibition 5/5 brings together major works from the collection of the frac île-de-france in the city’s youth centre Le Carré.
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This new review – in a nod to its glorious ancestors of the 30s and to the spirit of the Music Hall – proposes an annual programme of live interventions, open to all kinds of artistic creation (acoustic, filmic, choreographic, etc.), by artists invited to occupy the exhibition spaces in two phases.
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We are used to objects fulfilling functions other than what their original design intended. This is where an entirely new relationship is built, where our emotions give objects their evocative power. The works that the exhibition gathers can be seen as just so many moments in which our feelings harmonise with our environment in both an irrational and unexpected way.
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This new review – in a nod to its glorious ancestors of the 30s and to the spirit of the Music Hall – proposes an annual programme of live interventions, open to all kinds of artistic creation (acoustic, filmic, choreographic, etc.), by artists invited to occupy the exhibition spaces. Julien Bismuth will be the next artist to be invited to perform for the review.
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